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And, in some cases-"Over and Over" and "Never Going Back Again" especially-the live versions captured here are actually superior to the studio takes, gaining an intensity and immediacy that accentuates their inherent drama.
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While some tracks do occasionally suffer a bit from the vagaries of live performance-a cracked voice here, a late guitar melody there-thanks to the embarrassment of riches in their song pool and given that the band was at the peak of their powers, the selection of their best individual performances yielded excellent results, and nearly all of the tracks bristle with energy, vibrancy, and a sense of creative electricity that was surely a bit of a crapshoot on such a long and grueling tour. However the album may fail as an accurate piece of documentary audio it more than succeeds as a cohesive piece of rock 'n' roll.
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it pulled in songs from multiple tours to present a weird, idealized version of "a Fleetwood Mac concert." The original release threw in a few cuts from the Rumours tour, a song originally released by Buckingham Nicks ("Don't Let Me Down Again") that the Mac performed on tour in 1975, and even a couple of studio rarities ("Fireflies" and a cover of the Beach Boys' "Farmer's Daughter"). The 2-LP set didn't just combine recordings from multiple dates on the Tusk tour. In that regard, Live was perhaps the apotheosis of the Frankenstein-ed "live" album. The band recorded audio and video at every one of the 112 (!) dates they played between October 1979 and September 1980 and then proceeded to put together an album that putatively represented a Tusk tour date. All You Gotta Do ġ0.Fleetwood Mac's 1980 double-album Live was released as a way for the physically, emotionally, and creatively exhausted group to continue the winning streak that saw them dominate the last half of the '70s with Fleetwood Mac, Rumours, and Tusk. The liner notes accompanying Songbird find McVie paired with acclaimed English radio DJ and broadcaster Johnnie Walker for a conversation touching on every song from the collection. Highlights include the Top 40 AC hit “Friend” and “Sweet Revenge,” one of several songs on the record that she co-wrote with her nephew Dan Perfect, who also helped produce the album. Most of Songbird is taken from 2004’s In The Meantime. “Ask Anybody” is a song McVie co-wrote with Steve Winwood, who adds backing vocals and piano to the track. “The Challenge” includes backing vocals by her Fleetwood Mac bandmate Lindsey Buckingham and lead guitar by Eric Clapton. Songbird goes back to 1984 for a selection of tracks from Christine McVie, which find McVie joined by several legendary musicians.
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The latest version pairs McVie’s iconic vocals from the original recording with a gorgeous new string arrangement by 6x Grammy Award-winning composer and arranger Vince Mendoza. The track was never finished, and Johns added Ricky Peterson on Hammond and Ethan Johns on drums and guitar.Īnother unreleased song is a new orchestral version of “Songbird” from Fleetwood Mac’s Rumours album, which has become one of McVie’s signature tracks. The track is available now on all digital and streaming services.Īnother song that has never been released is “All You Gotta Do,” a duet that McVie recorded with George Hawkins while making In The Meantime.
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Songbird includes a selection of songs from two of her solo albums – 1984’s Christine McVie and 2004’s In The Meantime – plus two previously unreleased studio recordings, including “Slowdown,” which was originally written for the 1985 film American Flyers. The collection features songs remastered by legendary producer Glyn Johns, who worked closely with McVie on the project.